Aucouturier, J., Liuni, M. & Ponsot, E. (2017). Not so scary anymore : Screaming voices embedded in harmonic contexts are more positive and less arousing. In ESCOM.
Reviewed conference proceeding
Ponsot, E., Déjardin, H. & Roncière, E. (2016). Controlling Programme Loudness in Individualized Binaural Rendering of Multi-Channel Audio Contents. , Vol. 140: In Audio Engineering Society .
Reviewed conference proceeding
Mamassian, P. & Vemuri, B. (1993). ISOPHOTES ON A SMOOTH SURFACE RELATED TO SCENE GEOMETRY. , Vol. 2031: In Geometric Methods in Computer Vision II, 124-133. doi:10.1117/12.146619
de Vignemont, F. (2021). Feeling the world as being here. In F. de Vignemont, A. Serino, H.Y. Wong, A. Farnè (Eds.), The world at our fingertips: A multidisciplinary investigation of peripersonal space, Oxford : Oxford University Press
Book chapter
de Vignemont, F. (2021). What is the body schema? In Yochai Ataria, Shogo Tanaka, and Shaun Gallagher (Eds.), Body Schema and Body Image: New Directions. doi:10.1093/oso/9780198851721.003.0001
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Pressnitzer, D., Agus, T., Kang, H. , Graves, J. & Andrillon, T. (2021). Apprentissage de motifs sonores. In S. Samson, B. Tillmann, C. Jourdan, V. Brun (Eds.), Audition et Cognition Montpellier: Sauramps Medical
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de Vignemont, F. (2020). Bodily Feelings: Presence, Agency, and Ownership. In Uriah Kriegel (Eds.), The Oxford Handbook of the Philosophy of Consciousness Oxford: Oxford University Press. doi:10.1093/oxfordhb/9780198749677.013.4
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de Vignemont, F. (2020). Un homme augmenté mais à quel prix ? In Bénédicte Boyer-Bévière, Isabelle Moine-Dupuis (Eds.), L’humain en transformation. Entre transhumanisme et humanité (pp. 23-30). doi:10.4000/cdst.2307
Shamma, S. (2020). Temporal Coherence Principle in Scene Analysis. The Senses: A Comprehensive Reference (Second Edition) (Vol. 2, pp. 777-790).Elsevier. doi:10.1016/B978-0-12-809324-5.24252-1
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Alsmith, A. & Longo, M. (2019). Using VR technologies to investigate the flexibility of human self-conception. In E. Fischer and M. Curtis (Eds.), Methodological Advances in Experimental Philosophy (pp. 153-174). London: Bloomsbury
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de Vignemont, F. (2019). Against phenomenal parsimony: a plea for bodily feelings. In Goldman, Alvin McLaughlin, McLaughlin (Eds.), Metaphysics and cognitive science Oxford: Oxford University Press
Book chapter
de Vignemont, F. (2019). The phenomenology of bodily ownership. In Guillot, Marie Garcia-Carpintero, Manuel (Eds.), The sense of mineness Oxford: Oxford University Press
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Kriegel, U. (2019). The Perception/Cognition Divide: One More Time, with Feeling. In C. Limbeck-Lilienau and F. Stadler (Eds.), he Philosophy of Perception and Observation Berlin and Boston: De Gruyter
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Arcangeli, M., Sperduti, C. & Dokic, J. (2018). The beautiful, the sublime and the self. In F. Cova et S. Réhault (Eds.), Advances in Experimental Philosophy of Aesthetics (pp. 175-196).Bloomsbury
de Vignemont, F. & Sackur, J. (2018). La conscience. In Collins, Thérèse, Tallon-Baudry, Catherine, Andler, Daniel (Eds.), La cognitionGallimard
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de Vignemont, F. (2018). Schéma corporel et image corporelle. In De Boeck/Solal (Eds.), Manuel de psychomotricité
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de Vignemont, F. (2018). Was Descartes right after all? An affective background for bodily awareness. . In Tsakiris, Manos de Preester, Helena (Eds.), The Interoceptive Basis of the Mind: from homeostasis to awareness Oxford: Oxford University Press
Book chapter
de Vignemont, F. (2018). Varieties of bodily feelings. In Kriegel, Uriah (Eds.), The Oxford handbook of consciousness Oxford: Oxford University Press