Publications

Recanati, F. (2018). Contextualism and Singular Reference. In J. Collins et T. Dobler (Eds.), The Philosophy of Charles Travis: Language, Thought, and Perception (pp. 181-196). Oxford : Oxford University Press. doi:10.1093/oso/9780198783916.003.0009

Recanati, F. (2018). From Meaning to Content. In D. Ball et B. Rabern (Eds.), The Science of Meaning : Essays on the Metatheory of Natural Language Semantics (pp. 113-137). Oxford : Oxford University Press

Recanati, F. (2017). About the lekton. Response to Max Kölbel. In I. Depraetere et R. Salkie (Eds.), Semantics and Pragmatics: Drawing a Line (pp. 215-224). Berlin: Springer

Recanati, F. (2017). Cognitive Dynamics: A New Look at an Old Problem. In M. de Ponte et K. Korta (Eds.), Reference and Representation in Thought and Language Oxford: Oxford University Press

Remme, M., Lengyel, M. & Gutkin, B. (2015). Trade-off between dendritic democracy and independence in neurons with intrinsic subthreshold membrane potential oscillatio. In Remme et al (eds) (Eds.), Dendritic ComputationSpringer

Remme, M., Lengyel, M. & Gutkin, B. (2014). Phase Response Methods in Dendritic Dynamics. In Schultheiss et al (eds) (Eds.), Phase Response Cruves in NeuroscienceSpringer

Stojanovic, I. (2014). Prepragmatics: Widening the Semantics-Pragmatics Boundary . In Burgess, Alexis and Brett Sherman (Eds.), Metasemantics: New Essays on the Foundations of Meaning (pp. 311–326). Oxford: OUP

Terrone, E. (2017). On Time in Cinema. In Ian Phillips (Eds.), The Routledge Handbook of the Philosophy of Temporal Experience (pp. 326-338). New York: Routledge

Terrone, E. (2017). Character, Spectator, Film: On Cinema as a Plotinian Hierarchy. In Thorsten Botz-Bornstein e Giannis Stamatellos (Eds.), Plotinus and the Moving Image: Neoplatonism and Film Theory (pp. 144-177). Leiden: Brill/Rodopi. doi:10.1163/9789004357167_010

Terrone, E. (2017). “TheCinematic Relation: Singular Thought, Mental Files, and Film. In Lars C. Grabbe, Patrick Rupert-Kruse, Norbert M. Schmitz (Eds.), Bildverstehen. Spielarten und Ausprägungen der Verarbeitung multimodaler Bildmedien (pp. 16-30). Darmstadt: Büchner-Verlag

Terrone, E. (2017). Neither Here nor There, but Now. Film Experience and the Aesthetic Illusion. In Tomáš Koblížek (Eds.), The Aesthetic Illusion in Literature and the Arts (pp. 107-118). London: Bloomsbury

Terrone, E. & Condello, A. (2017). Genre Classification: a Problem of Normativity and Exemplarity. In Werner Gephart e Jure Leko (Eds.), Law and the Arts. Elective Affinities and Relationships of Tension (pp. 39-46). Frankfurt am MaiN: Klostermann

Terrone, E. & Ferraris , M. (2017). Che c’è di nuovo nel realismo? Filosofia e cinema alla riscoperta della realtà. In G. Carluccio, E. Morreale, M. Pierini (Eds.), Intorno al neorealismo. Voci, contesti, linguaggi e culture dell’italia del dopoguerra (pp. 67-72).Scalpendi

Terrone, E. (2017). La trappola del naturalismo. Le neuroscienze e la naturalizzazione dell’estetica del cinema

Terrone, E. (2017). Film ed emozioni Milano: Cortina