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Terrone, E. (2017). “TheCinematic Relation: Singular Thought, Mental Files, and Film. In Lars C. Grabbe, Patrick Rupert-Kruse, Norbert M. Schmitz (Eds.), Bildverstehen. Spielarten und Ausprägungen der Verarbeitung multimodaler Bildmedien (pp. 16-30). Darmstadt: Büchner-Verlag
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Terrone, E. (2017). Neither Here nor There, but Now. Film Experience and the Aesthetic Illusion. In Tomáš Koblížek (Eds.), The Aesthetic Illusion in Literature and the Arts (pp. 107-118). London: Bloomsbury
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Terrone, E. & Condello, A. (2017). Genre Classification: a Problem of Normativity and Exemplarity. In Werner Gephart e Jure Leko (Eds.), Law and the Arts. Elective Affinities and Relationships of Tension (pp. 39-46). Frankfurt am MaiN: Klostermann
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Stojanovic, I. (2018). De Se Assertion. In Goldberg S. (Eds.), The Oxford Handbook of AssertionOxford University Press. doi:10.1093/oxfordhb/9780190675233.013.19
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Stojanovic, I. (2014). Prepragmatics: Widening the Semantics-Pragmatics Boundary . In Burgess, Alexis and Brett Sherman (Eds.), Metasemantics: New Essays on the Foundations of Meaning (pp. 311–326). Oxford: OUP
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Schlenker, P. (2011). Indexicality and de Se Reports. In von Heusinger, Maienborn and Portner (Eds.), Semantics (Vol. 2, pp. 1561-1604).
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