Publications

Marozeau, J. & de Cheveigné, A. (2007). The effect of fundamental frequency on the brightness dimension of timbre. Journal of the Acoustical Society of America, 121(1), 383-387. doi:10.1121/1.2384910

Widmer, G., Rocchesso, D., Välimäki, V., Erkut, C., Gouyon, F., Pressnitzer, D., Penttinen, H., Polotti, P. & Volpe, G. (2007). Sound and music computing: Research trends and some key issues. Journal of New Music Research, 36(3), 169-184. doi:10.1080/09298210701859222

Pressnitzer, D., Patterson, R. & Krumbholz, K. (2001). The lower limit of melodic pitch. Journal of the Acoustical Society of America, 109, 2074-2084. doi:10.1121/1.1359797

Pressnitzer, D., Winter, I. & Patterson, R. (2000). The responses of single units in the ventral cochlear nucleus of the guinea pig to damped and ramped sinusoids. Hearing Research, 149, 155-166. doi:10.1016/S0378-5955(00)00175-1

Pressnitzer, D. & Mcadams, S. (1999). Two phase effects in roughness perception. Journal of the Acoustical Society of America, 105(5), 2773-2782. doi:10.1121/1.426894

Berthommier, F. & Lorenzi, C. (2021). Implications of Physiological Mechanisms of Amplitude Modulation Processing for Modeling Complex Sounds Analysis and Separation. (pp. 12). doi:10.1201/9781003064183

Pressnitzer, D., Agus, T., Kang, H. , Graves, J. & Andrillon, T. (2021). Apprentissage de motifs sonores. In S. Samson, B. Tillmann, C. Jourdan, V. Brun (Eds.), Audition et Cognition Montpellier: Sauramps Medical

Shamma, S. (2020). Temporal Coherence Principle in Scene Analysis. The Senses: A Comprehensive Reference (Second Edition) (Vol. 2, pp. 777-790).Elsevier. doi:10.1016/B978-0-12-809324-5.24252-1