Publications

Spector, B. (2014). Scalar Implicatures, Blindness and Common Knowledge: Comments on Magri (2011) In Pistoia Reda, Salvatore (Eds.), Pragmatics, Semantics and the Case of Scalar Implicatures (pp. 146–169).Palgrave Macmillan {UK. doi:10.1057/9781137333285_6

Stojanovic, I. (2019). Relativism. In David Plunkett and Tristram McPherson (Eds.), The Routledge Handbook of Metaethics (2 ed.).Routledge

Stojanovic, I. (2019). Les jugements moraux sont-ils relatifs? In Desmons, Ophélie, Stéphane Lemaire & Patrick Turmel (Eds.), Manuel de méta-éthique (pp. 63-92). Paris: Hermann

Stojanovic, I. (2018). De Se Assertion. In Goldberg S. (Eds.), The Oxford Handbook of AssertionOxford University Press. doi:10.1093/oxfordhb/9780190675233.013.19

Stojanovic, I. (2014). Prepragmatics: Widening the Semantics-Pragmatics Boundary . In Burgess, Alexis and Brett Sherman (Eds.), Metasemantics: New Essays on the Foundations of Meaning (pp. 311–326). Oxford: OUP

Terrone, E. (2017). On Time in Cinema. In Ian Phillips (Eds.), The Routledge Handbook of the Philosophy of Temporal Experience (pp. 326-338). New York: Routledge

Terrone, E. (2017). Character, Spectator, Film: On Cinema as a Plotinian Hierarchy. In Thorsten Botz-Bornstein e Giannis Stamatellos (Eds.), Plotinus and the Moving Image: Neoplatonism and Film Theory (pp. 144-177). Leiden: Brill/Rodopi. doi:10.1163/9789004357167_010

Terrone, E. (2017). “TheCinematic Relation: Singular Thought, Mental Files, and Film. In Lars C. Grabbe, Patrick Rupert-Kruse, Norbert M. Schmitz (Eds.), Bildverstehen. Spielarten und Ausprägungen der Verarbeitung multimodaler Bildmedien (pp. 16-30). Darmstadt: Büchner-Verlag

Terrone, E. (2017). Neither Here nor There, but Now. Film Experience and the Aesthetic Illusion. In Tomáš Koblížek (Eds.), The Aesthetic Illusion in Literature and the Arts (pp. 107-118). London: Bloomsbury

Terrone, E. & Condello, A. (2017). Genre Classification: a Problem of Normativity and Exemplarity. In Werner Gephart e Jure Leko (Eds.), Law and the Arts. Elective Affinities and Relationships of Tension (pp. 39-46). Frankfurt am MaiN: Klostermann

Terrone, E. & Ferraris , M. (2017). Che c’è di nuovo nel realismo? Filosofia e cinema alla riscoperta della realtà. In G. Carluccio, E. Morreale, M. Pierini (Eds.), Intorno al neorealismo. Voci, contesti, linguaggi e culture dell’italia del dopoguerra (pp. 67-72).Scalpendi

Terrone, E. (2017). La trappola del naturalismo. Le neuroscienze e la naturalizzazione dell’estetica del cinema

Terrone, E. (2017). Film ed emozioni Milano: Cortina

Tiercelin, C. (2021). Les émotions sont-elles irrationnelles ? In J. Baechler et G. Bronner (Eds.), L'irrationnel aujourd'hui (pp. 55-85). Paris: Hermann

Tiercelin, C. (2021). Peirce and James. In A. Klein (Eds.), The Oxford Handbook of William James Oxford : Oxford University Press. doi:10.1093/oxfordhb/9780199395699.013.21

Tiercelin, C. (2020). Survivre sans contact? In D.Monnerond et R.-P. Droit (Eds.), Ethique du Grand âge et de la dépendance Paris: P.U.F

Tiercelin, C. (2020). Relativité et Relativisme. Einstein au Collège de France Paris: Collège de France/Éditions Odile Jacob. doi:10.4000/books.cdf.9442.

Tiercelin, C. (2020). Principes métaphysiques, principes théologiques . In A. Declos & J.-B. Guillon (Eds.), Les principes MétaphysiquesLa Philosophie de la connaissance au Collège de France

Varzi, A. & Casati, R. (2021). Ballot Ontology. In Sara Bernstein & Tyron Goldschmidt (Eds.), Non-Being: New Essay on the Metaphysics of Non-Existence (pp. 139–164). Oxford: Oxford University Press.

Varzi, A. & Casati, R. (2020). Ballot Ontology. In Sara Bernstein & Tyron Goldschmidt (Eds.), Non-Being: New Essay on the Metaphysics of Non-ExistenceOxford University Press

Zuberbühler, K., Chemla, E. & Schlenker, P. (2021). Stereotyped vocalizations. Encyclopedia of Evolutionary Psychological Science (pp. 7970-7974).Springer. doi:10.1007/978-3-319-16999-6_3330-1