Publications

de Cheveigné, A. (2019). ZapLine: a simple and effective method to remove power line artifacts. NeuroImage, 207, 116356. doi:10.1016/j.neuroimage.2019.116356

de Cheveigné, A. (2023). Why is the perceptual octave stretched? An account based on mismatched time constants within the auditory brainstem. The Journal of the Acoustical Society of America, 153(5), 2600. doi:10.1121/10.0017978

Engelen, T., Buot, A., Grèzes, J. & Tallon-Baudry, C. (2023). Whose emotion is it? Perspective matters to understand brain-body interactions in emotions. NeuroImage, 268, 119867. doi:10.1016/j.neuroimage.2023.119867

Boubenec, Y., Shulz, D. & Debrégeas, G. (2012). Whisker encoding of mechanical events during active tactile exploration. Frontiers in Behavioral Neuroscience, 6:74, 1-16. doi:10.3389/fnbeh.2012.00074

Claverie, L., Boubenec, Y., Debrégeas, G., Prevost, A. & Wandersman, E. (2017). Whisker Contact Detection of Rodents Based on Slow and Fast Mechanical Inputs. Frontiers in behavioral neuroscience, 10, 251. doi:10.3389/fnbeh.2016.00251

de Vignemont, F. (2020). What Phenomenal Contrast for Bodily Ownership? Journal of the American Philosophical Association, 6(1), 117-137. doi:10.1017/apa.2019.34

Cousineau, M., Demany, L. & Pressnitzer, D. (2009). What makes a melody: The perceptual singularity of pitch sequences. The Journal of the Acoustical Society of America, 126(6), 3179-87. doi:10.1121/1.3257206

Lakretz, Y. , Dehaene, S. & King, J. (2020). What Limits Our Capacity to Process Nested Long-Range Dependencies in Sentence Comprehension? Entropy, 22(4), 446. doi:10.3390/e22040446

Schlenker, P. (2022). What It All Means. The MIT Press

de Vignemont, F. (2021). What is the body schema? In Yochai Ataria, Shogo Tanaka, and Shaun Gallagher (Eds.), Body Schema and Body Image: New Directions. doi:10.1093/oso/9780198851721.003.0001

Schlenker, P. (2019). What is Super Semantics? Philosophical perspectives, 32, 365-453. doi:10.1111/phpe.12122

Cousineau, M., Carcagno, S., Demany, L. & Pressnitzer, D. (2014). What is a melody? On the relationship between pitch and brightness of timbre. Frontiers in systems neuroscience, 7, 127. doi:10.3389/fnsys.2013.00127

Grinfeder, E., Lorenzi, C., Haupert, S. & Sueur, J. (2022). What Do We Mean by “Soundscape”? A Functional Description. Front. Ecol. Evol, 10, 894232. doi:10.3389/fevo.2022.894232

Schlenker, P., Chemla, E. & Zuberbühler, K. (2016). What Do Monkey Calls Mean? Trends in cognitive sciences, 20(12), 894-904. doi:10.1016/j.tics.2016.10.004

Cousineau, M., Demany, L., Meyer, B. & Pressnitzer, D. (2010). What breaks a melody: perceiving F0 and intensity sequences with a cochlear implant. Hearing research, 269(1-2), 34-41. doi:10.1016/j.heares.2010.07.007

Branchini, C., Cardinaletti, A., Cecchetto, C., Donati, C. & Geraci, C. (2015). WH-duplication in Italian Sign Language (LIS) , 39–70John Benjamins Publishing Company. doi:10.1075/bct.71.03bra

de Vignemont, F. (2018). Was Descartes right after all? An affective background for bodily awareness. . In Tsakiris, Manos de Preester, Helena (Eds.), The Interoceptive Basis of the Mind: from homeostasis to awareness Oxford: Oxford University Press

Agus, T., Paquette, S., Suied, C., Pressnitzer, D. & Belin, P. (2017). Voice selectivity in the temporal voice area despite matched low-level acoustic cues. Scientific reports, 7(1), 11526. doi:10.1038/s41598-017-11684-1

Chevallier, C. (2021). Vivre dans un environnement risqué : quels impacts pour la psychologie ? In Claudia Senik (Eds.), Sociétés en danger (Odile Jacob ed., pp. 197 à 208). Paris: La Découverte. doi:10.3917/dec.senik.2021.01.0197

Strickland, B. & J. Scholl, B. (2015). Visual Perception Involves Event-Type Representations: The Case of Containment Versus Occlusion. Journal of Experimental Psychology: General, 144(3), 570–580. doi:10.1037/a0037750

Dokic & Pascal Engel, J. (2018). Visual Awareness and Visual Appearances. A Dual View. In F. Dorsch & F. Macpherson (Eds.), Phenomenal Presence (pp. 181-198). Oxford: Oxford University Press. doi:10.1093/oso/9780199666416.003.0008

Schlenker, P. (2018). Visible Meaning: Sign language and the foundations of semantics. Theoretical Linguistics, 44(3-4), 123-208. doi:10.1515/tl-2018-0012

Aristodemo, V. & Geraci, C. (2017). Visible degrees in Italian Sign Language. Natural Language {&} Linguistic Theory, -(on line). doi:10.1007/s11049-017-9389-5

de Vignemont, F. (2018). Varieties of bodily feelings. In Kriegel, Uriah (Eds.), The Oxford handbook of consciousness Oxford: Oxford University Press

Geraci, C., Bayley, R., Cardinaletti, A., Cecchetto, C. & Donati, C. (2015). Variation in Italian Sign Language (LIS): The case of wh -signs. Linguistics, 53(1), 125–151. doi:10.1515/ling-2014-0031

Alsmith, A. & Longo, M. (2019). Using VR technologies to investigate the flexibility of human self-conception. In E. Fischer and M. Curtis (Eds.), Methodological Advances in Experimental Philosophy (pp. 153-174). London: Bloomsbury

Paraouty, N. & Lorenzi, C. (2017). Using individual differences to assess modulation-processing mechanisms and age effects. Hearing research, 344, 38-49. doi:10.1016/j.heares.2016.10.024

Osses , A. & Varnet, L. (2023). Using auditory models to mimic human listeners in reverse correlation experiments from the fastACI toolbox. In , Turin, Italy.

Massin, O. & de Vignemont, F. (2020). Unless I Put My Hand into His Side, I Will Not Believe: The Epistemic Privilege of touch. In Berit Brogaard & Dimitria Electra Gatzia (Eds.), The Epistemology of non-Visual Perception (pp. 165).Oxford University Press

Ruys, E. & Spector, B. (2017). Unexpected Wide-Scope Phenomena. In Everaert, Martin and Henk C. Van Riemsdijk (Eds.), The Companion to SyntaxWiley. doi:10.1002/9781118358733.wbsyncom089